Articles
- In memory of Bill Groves - March 2009
- Karate Do/Tools My way of Life/Arts
- Sanchin (Lifes Breath)
- The Unconquerable Foe
- Spiritualism
- The Cleansing Program - Part 1 Oxygen (requires Adobe Acrobat Reader)
- Sunday Bloody Sunday
- Sensei Ken Ogawa
- What is a Master
- An Inoculation of pain
In memory of Bill Groves - March 2009
I want to tell you about Friday nights, and how people’s lives can
blend together,
Friday night is the time of the week when I have no
classes to run, it is my little bit of free time to spend as I like,
The following is an insight into what usually happens.
Around 6pm I text my old Friend John, as a rule we visit Martyn Mulvey and John Bestwick (the late Arnolds brother) “4th and 6th Dan” at the Honto Shin Dojo in Hasland for an hour, then onto the Somerset pub to see Alan Roberts (the Landlord and 3rd Black Belt) where John and I partake in a little Karaoke, then its back to John’s for some good coffee and jamming on our Harmonicas, talking a little about old Friends like Helmut Leitner (4th Black) and a bit about philosophy, then we part around 1am.
This week (18th March) was slightly different, Wednesday saw Martyn
and John at my Dojo in Mastin Moor, to witness four Black belt grading’s,
(which I’ll report on later) followed by a celebratory drink at the
local pub,
After the pub I called at Johns for a coffee, (he lives in the same
village as I do)
It was funny really,
About three months ago, John was going through one of the cupboards
at his home looking for something when he came across his coffee pot,
now as a rule I drink more tea than coffee, but that Friday I was treated
to real coffee, this set me off talking about Bill and Sue (Groves)
and about how they love their coffee and always make it after Karate
class when they are at my house/Dojo, (He’s my neighbour in Oz)
John has never visited Oz, but by the time that particular Friday night
ended, john said he felt like he knew Bill and his wife Sue (Both my
Black belt students) and their children Brad and Fiona,
I’ve spoken to John often about Bill in the past, and John has spoken
often about his Dutch Friend Jack van der Holst and his Wife Nel and
their children, so gradually we began to feel as though we knew people
we have never met.
When I broke the news to John last night (20th March) about Bills
death, John admitted to feeling very sad, we lit a candle in respect
for Bill and played blues music, and drank a brandy,
Not to mourn Bills death, but to celebrate his life.
Vicki, Johns Wife came out into the garden and reminded us both of
something I wrote a couple of years ago about seizing the moment, about
how short and fragile our life can be, and how we tend to put things
off, live every moment to the full, she said, this is the real thing,
it’s not a rehearsal.
As I write this piece it is Saturday the 21st March 09, I am waiting
for my sister Linda to arrive from South Africa,
John has just text me to say he is taking my advice and seizing the
moment too, (tomorrow 22nd), “He” and Vicki are getting in their car
and driving over to the Netherlands to see Jack and Nel.
I leave for Oz on the 26th March, I think when I return to England
my Wife “Kana” and I may very well go over and visit with the Van der
Holst Family,
“Seize the moment”, from now on I intend to grab it by the throat and
shake it.
I will miss Bill Groves a great deal, he was a good Friend and student,
he is part of my life, and a part that I will carry around with me for
the rest of my life,
I extend my deepest condolences, sympathy and respect to all Bills Family,
he was a good man, and a good Karate Ka, he will I know be deeply missed
by all who were fortunate enough to know him.
---------------------------
The following words were spoken by a World War 2 Lancaster Bomber
pilot just before he went into Battle,
I believe that his words are appropriate.
We shall pass through this World but once.
Any Goodness therefore.
Let us do it now.
For we may not pass this way again.
With Respect
Graham Ravey.
SANCHIN (Lifes Breath)
When asked what is the most important things we as humans need to
survive, people will say food, cloths and shelter and nine time out
of ten never think about air.
And yet without it we would die within a matter of seconds.
Once a martial master was conducting a seminar, he asked his students
“how long is life”
One said 40 years, another said 70 years, no 80 years said yet another.
The master insisted that they were all wrong.
"We can not measure how long life is" said one thoughtful student. "Because
we all live to different ages".
The master said “ Life is as long as this” and then he inhaled and exhaled
a breath of air.
Yes, life is now and here right at this moment, not in the past and
not in the future, if we put the words "now+here" together we get "nowwhere".
Air is so important to our existence and yet there is no manual given
to us at birth on the use and abuse of it. Most of us without training
(Sanchin) will breathe shallowly in our chests thus never using the
Diaphragm to its potential. Shallow breathing results in stale air being
trapped in the body leading to all kinds of disease and as we get older
we breath even more shallow. Oxygen is an oxidiser, it not only destroys
bacteria in our body but also helps de-toxify it.
Sanchin
Sanchin in Japanese means "The Three
Battles" between mind and body and breathing being the glue that bonds
the other two together. With proper breath control we can lead to spiritualism.
In its own context "Air is Spirit".
When someone is in high spirits Oxygen is pumping around the body via
the blood system rapidly. Killing bacteria and de-toxifying every cell
making us feel good.
Low spirit is quit the opposite and being low spirited for a long time
results in disease.
High and low spirits are triggered by both mind and body, e.g.
Mind, worrying about problems, financially, work place, home equals
stress.
Body, Lack of exercise, bad eating habits equals Low Spirit.
Sanchin if done correctly with the full one and
a half pump action of the groin area activates the "Kundalini"
energy (Hindu Serpent power)”
This is the forest Chakra or Meridian on the spinal column and is connected
to the beast, or physical make up of a human. To ground one to the earth
Sanchin has a grounding action in its very "Dynamic Tension"
nature, same as “Shaolin, Flesh and Bones Posture”. There is much controversy
at the moment about how much pressure should be applied to the
air being inhaled and exhaled from the body , as to much pressure can
induce hypertension.
We are told to regularly practice Sanchin, but I agree with the fact that to much pressure is bad for you and certainly toned my pressure down a few years after I left Japan. In Japan we were told to do it just about until our veins bulged in the forehead and felt dizzy if practiced about 3-4 times in a row. This I agree is not good on regular basis, but I always remember the feeling I had after.
-
That I could fight anybody
-
That I was bullet proof
Now I realize what was happening to me, my Chi-Kung (as the Chinese say) or Kundalini had been released by the Sanchin Kata practice. Have you ever watched a Kung Fu demo of wood or stone breaking, the practitioner will start a rhythmic pattern with dynamic tension and timed breathing to induce Chi-Kung to the body just before he attempts the break. To ground oneself to the beast certainly helps in these situations.
So I say practice Sanchin with moderate air pressure when regularly training, but in circumstances like breaking practice with more pressure just before.
There is a legend of a Celtic warrior who upon arriving at a battle field by Chariot (Chariots were a sign of a strong seasoned warrior) would go into a state of "Inner Rage" just before the battle. His body would shake, animal like noises would be heard as his veins bulged and faced reddened. I really think this is what the Irish call Berserker mode, but also from an onlookers point of view this could describe someone practicing Sanchin the "Old Way".
Maybe in the past people had more of a hard time to live and violent confrontations took more of a regular role in ones life, so could Sanchin have been practiced hard to survive to an age of 40 - 50.
Sensei Graham Ravey 6th Dan
The Unconquerable Foe
As a maturing Martial Artist, I have come to know the formidable foe know to us a Ageing. We go to battle this enemy with our lotions and potion, diet and notions. All to stave off the ever accelerating onslaught upon us. All of us knowing in the back of our minds that total victory can never be ours, but in the true spirit of "Bushido" we must try.
The word "Gambatte" springs into mind, this is Japanese for "Do your Best" and was shouted at me many times during my years of hard training at the now legendary YOYOGI Dojo Tokyo Japan under the ever watchful eyes of Sensei Morio Higaonna.
Gambatte!, Gambatte he would bark this many times filling
our minds with power to push the body those few extra miles. So I say
to all you ageing Martial Artists out there, Gambatte!, don't
give up do your best, cut down but don't give it away.
I am only 50 but I have seen some of my comrades "in the way" fall foul
to ageing. They say Oh I can't do that anymore with as much power as
I used to, or my body aches som its time for me to stop.
Never stop, cut down accordingly. I have seen Martial Artists stop and
believe me it is not a pretty sight, they seem to put on weight and
age quickly. So keep training and also experiment with lotions and potions,
diets and notions.
I myself have a lot of success with cleaning my blood electrically, ingesting liquid ozone + colloidal silver and using magnetic pulsar to clean my deep lymph tissue of bacteria. Then I mineralize with colloidal minerals and Celtic sea salt. I will write in enormous detail about these agent and publish schematics for blood cleaner and pulsar in the future. Watch this web site for further information. I would like to end this article on ageing with a Poem written by a poet friend of mine, Peter Harmon entitled Age.
AGE
Thus stands the belted warrior oiled and ready for the fray.
For long has he known of this ancient foe and seen its coming day.
And not with charge or rush or speed does this stealthy spectre
come not with gun, nor knife nor shooting drug not at a gallop nor a
run.
It shambles in like tumble weed or sneaks in hidden amongst the
grass it comes to pass in winter time when polish is off t' brass,
It rises with you in the morning in groans and creeks and cricks following
you the live long day to play it's ancient tricks.
Legs that once like oiled machines quick to ball, to run and field no
longer pivot with sensuous ease as all, at last, are brought to
knees.
But still, wise men thus became In contemplation of this game and then
with fist, spear and lance they joined the fray, this deadly dance.
They laid down plans to shape the mind in discipline, they knew their
kind, could never defeat such a natural force the best result,
to enjoy the course.
To tend the body to drive the schemes amidst the smoke of Shaolin dreams.
Those priests they knew and they passed it on with thoughts like oceans
vast and strong Sanshin, sunshine breath of life, Yin and Yang man and
wife Tai chi in the garden neath a fulsome moon, dancing in the darkness,
or picking out a tune, laughing with the children and trusting in their
heart that this a passing dream time and not the final part.
Sensei Graham Ravey 6th Dan
Spiritualism
Martial Art's is for individuals to discover themselves through rigorous
physical training of the body, eventually freeing the spirit of it's
physical boundaries to pursue the moral truth through realisation.
The spiritual side of Martial Arts is the mental training of the mind
and soul. The body enables us to have hands on experience to understand
and realise the importance of the unseen mental processes in the higher
order of things, these are all one and the same, inexplicably inter-twined
into the matrix that is the essence of what we really stand for.
If we neglect our spirit or cease to reflect, tradition and philosophy
can diminish in importance to the point where balancing the ego becomes
impossible. A student who never finds the spiritual side of the art
will only concentrate on the physical and therefore become unbalanced.
I have been studying Martial Arts for a 30 years and have read in many
text that date back thousands of years that a basic desire for money,
position and power can be a catalyst for a wasted life.
To desire theses things by means of abuse to the community, for self
gratification of ego can be intrinsically evil, though from a business
point of view can be seen as progress.
Spiritually this may stagnate an individuals growth.
Martial teachers alongside the rest of the population have their needs,
some get their needs and wants mixed up, we all need transport, but
some want a Porsche! We all need a roof of our heads, but some want
a mansion! money is needed to run Dojo's, for equipment, rent, salaries,
but there are those who want to become rich of it. This leads to watering
down and denial of the one true path to self knowing. Respect for the
Masters and the true growth of the way of the Art.
To be humble and live humble comes under the spirit of Martial Arts.
Master Gichin Funakoshi said "I have no money problems because
I have no money". Once spiritualism is neglected the flavour of
the teachers lesson changes instead of the student having to strive
to match the standard of the masters the standard is lowered to match
that of the student.
These symptoms are prevalent in many schools causing erosion of the
way.
Milder discipline and training is given so as not to scare the student
away, frequent gradings are given to keep their egos fed.
Patience is a great lesson to learn and the only way to learn is by
waiting, etiquette is another area that is selectively edited or being
left altogether.
Once the spirit is neglected one or all of these cancers will grow until
there is little of the original strong and successful form of teaching
left.
Living of Martial Arts requires sound judgment on the part of the teacher,
taking care not to sacrifice the morality of the art for personal gain
or to the detriment of the generations past, presence and future.
The responsibility of education fall on seniors in any place of learning,
the young need constant tutoring and guidance to keep them strong and
focused on the path within themselves.
I once attended a summer camp abroad at which time I was a fourth Dan,
I was approached by a third Dan level a green belt who asked me to look
at his Kata, I expected him to do a drill of the level of green belt
and was shocked when he proceeded to do Kata of a third Dan level and
not very well at that.
He had developed many mistakes and made them his own, by which I mean
he had trained them into himself. I found out that he had taught himself
by way of video.
Such a seeker of the way will inadvertently take many steps backwards
as a video lacks all the importance of hands on tuition from a teacher.
His lessons in patience and ego refining were put to one side as soon
as he turned on the video and before this man could be taught properly,
he would have to be retrained from all his mistakes.
Don't get me wrong, I think videos can be a great asset to martial arts
as a reference library for senior students of all styles, to appreciate
the masters as they really are. But for novices to try and copy advanced
teaching, is a recipe for disaster.
This could be solved by having all parties decide that there is indeed
a problem. Perhaps a licence could be shown before purchasing advanced
teaching videos? Or perhaps such videos are only for accredited Dojo's.
I can not see to many problems evolving as long as they have ample explanations
of the importance of warming up and down. Also a guide as to how to
recognise the difference between a fine overall teacher to a fly-by-nighter,
anyone can go out and buy a black belt (which is another huge problem
the credibility of martial arts faces).
Such pseudo teachers set themselves up as the be all and end all of
Martial artists, hoe "they" do it, is the way everybody should do it.
An illustration of how wrong this view comes from personal experiences.
I am a tall man and have changed my basic application instruction over
the years through understanding that how my body type applies a technique
is different to how a short fellow would apply the same technique. If
I taught my flavour of the gospel, I would be neglecting all students
of different statures in my Dojo. So what I teach must stay general
in form, acceptable to all shapes and sizes of people.
The basic way is flexible and adjustable to suit all, a gift from our
masters making it possible for every person to reach their best.
There is a fine line between right and wrong in life and the way of
Martial Arts is no exception.
Some people have pride in what they do, but don't go over to vanity.
To need things is normal, but when does need become greed? To admire
someone for accomplishment is healthy, but over stepping the line
becomes hero worship. Take care, enjoy your Martial Arts both physically
and mentally to the fullest.
Read philosophy and most of all, contemplate it. Otherwise it will be
like eating without digesting, no nourishment will take place. There
are victories of the soul and spirit. Sometimes even when you lose,
you win.
Remember, nourishment for the soul starts with philosophy.
Sensei Graham Ravey 6th Dan
Sunday Bloody Sundays
Saturday night and the message reads: bring old running shoes and hachimaki on Sunday – Graham.
As I read the note, my stomach ties itself in knots as I remember the last time such a command was issued. Another Do or Die Sunday. I wonder what physical impossibilities Sensei has in mind for us tomorrow.
Sunday morning I am awake and it would be great to stay in bed. I
should get up but my body keeps saying, “no don’t go.” I know I must.
It’s a love hate thing like an uncontrollable addiction and I must get
my karate fix for the day. The words of my wife come to mind,
“ Bloody Sundays – who do you think is going to look after you when
you are old and crippled at 50? ” She is jealous of my karate, she sees
it as the ‘other woman’ and lover in my life against whom she can’t
compete. I hear my daughters ask their mum, “Is Dad off to training
again? Why can’t he stay home? ”
A quick breakfast and I am on my way. I tell the family that I will
be home early about 4pm straight after training, but they don’t take
me seriously – they know better.
I head off on what is a nice relaxing country drive through the D’Aguilar
Ranges towards Sensei’s place. I wonder what form of physical torment
he has in store for us today? My stomach feels like a net full of butterflies
as I turn into Sensei’s land.
No time wasted on idle chitchat we are here for a purpose. We’re off
on a fast jog come run, backwards, sideways, zigzag up, hill down hill,
off the road into the bush over logs and creeks. My old ankle injury
from past training sessions is starting to rear its head but maybe it’s
only my brain trying to find a way out for the rest of my body. I forget
it. Slipping, sliding, rolling down the hill we head fro what Sensei
calls nature’s obstacle course.
“Watch, run up, jump back and forth over this suspended log (about
knee high) 10 times, hit the ground, roll under, quickly jump up on
your feet, run up this fallen tree trunk balancing then jump to that
boulder, jump off, roll onto the ground to break your fall, quickly
up mae geri, mawashi geri, sokuto geri, ushiro geri, ura-ken, gyaku
zuki. Hajime Go.”
I’m starting to get into this but after the eighth time around I lose
count. I don’t want to waste energy. It’s getting painful and I’m feeling
stuffed. Sensei is pushing us faster, stronger, badger, badger, push
push, “Gambatte” stronger, do your best. “Yame” and we’re off
again running toward a clump of trees into the shade. Very thoughtful
I think, out of the sun, maybe a quick rest? NO WAY, he has other ideas.
Kotekitae, arm pounding and shin pounding against these 3 to 4 inch
saplings. “Now fight the tress, be aware and make them come to life,
they’re all around you.” Elbows, knees, punches and kicks, skin and
bark flying – lucky some of these trees are paper barks.
Sensei now directs us to fight each other – what a relief, although
my new opponent can now strike back. It doesn’t hurt so much to punch
and kick, at least the human body has some give in it, almost like jelly
compared to the trees. “Change partners.” Now I am with Sensei. I’m
pushing myself - kick harder, faster, think and let it flow. It’s
no use. I’m on the ground more than not but I dare not give in and stay
down. I know Sensei has no time for quitters. He is just playing with
me like a cat with a mouse. Sensei is playing and I am fighting for
my life. I know he’ll stop when he’s finished with me when he knows
I’ve got no more to give and not before. Yame change, yame change, yame
change. Maybe the best part of an hour has past of alternating between
tree and flesh. I prefer flesh.
REST 5 minutes.
Off we go again “ to that creek bed and find a rock. No too small, one
this size.” I can hardly grasp it. “Now throw it to one another and
catch it. After several variations of rockwork, hip evasion against
incoming missiles of volcanic rock we hit the road again. But at least
this time we’re heading in the right direction, HOME. The welts, bumps,
limps and bruises are starting to sting as I come off my physical and
mental high and my body systems enter a damage control mode. As we run
back the last 2 kilometres home to Honbu my mind says yes you can do
it. Sensei yells, “push yourself”, but the body is failing. I look around.
It is not only me. That last bloody big hill, I can see it looming up
in front of us, my heart is racing, and my mouth feels like I’ve swallowed
a box of tissues and my limbs are aching. I can’t give up now, no way.
I draw my energy from Sensei. The words of a friend come racing back
from the past. He trained with Ravey in the early days, left and became
a black belt in another style. Maybe he did the smart thing. “You guys
are crazy, he said. There’s no way I’m going to abuse my body this way.”
GREAT. I can see Honbu and the dam. Even better still we’re heading
for its cool waters for a swim, I think. No wrong again. Sensei invites
us to spend another 30 minutes of BASICS shoulder deep in this murky
pond, countless punches and endless kicks pulled out of the ankle deep
sludge on the bottom and we’re finished.
FINISHED 3 hours after we started – laid back relaxing with a cold cider,
surveying a beautiful view of the Kilcoy ranges from Sensei’s front
veranda. I feel great. I love my compulsory T.O.G.K.A instructor’s training
every fortnight. This is where you pay for the privilege of being one
of Sensei Ravey’s Dansha. “ NO PAIN NO GAIN & DEFINITELY NO FREE
RIDES.”
I love the satisfaction and sense of achievement that comes with the
end of each Sunday session. I wouldn’t miss it for the world. Some might
call it a form of masochism but we cal it Traditional Okinawa Goju-Ryu
Karate-Do. “The Way.”
Maybe next Sunday we’ll get to do kata up at the waterfall. It’s beautiful
up in the mountains. They’re not all Do or Die Sundays. After all it’s
Goju, hard soft.
Sensei Rob Williams 4th Dan
What is a Master
During my time in Karate training I heard that a master only comes around every 50 years or so.. This left little comfort to the fact that thousands of people are training Karate but only one can be a master if indeed this position is vacant during your time on earth and surely if we are all created equal this can not be. So we have to research the guidelines to what makes a master.
Basically a master is like a diamond and must polish every facet
of his martial to a good degree before they can truly shine. Now good
is an achievable level for us all , I did not say fantastic or great
just good. The hard part though is to shine in every facet to this degree,
both mental and physical. How many times do we see Karate practitioners
who shine only in their naturally gifted points but neglect to practice
their weak points.
For example:
this Karateka has a great kick, punching is awesome, but his kata is
fair,
teaching ability good but flexibility poor,
Mental & spiritual outlook needs a good polish, etc, etc.
So I believe it is within everyone's reach with much hard work over many years to achieve the standard of good in every facet of Karate. Thus becoming a masters, sad to say, only a few will accomplish this because of the hard work involved and the humbleness of admitting to our weak points, then doing something about them.
Many people follow a leader who has only polished their physical facets to a degree of greatness but neglected to shine the mental and communication facets. These leaders are then given the title of master for their physical prowess only.
Sensei Graham Ravey 6th Dan
Karate Do/Tools My way of Life/Arts
armed with "Tools" that can only be obtained by many years of traditional
Karate practice students may then choose subjects and mould then into
art forms much quicker, but first we must realize what "the tools" are.
Training a traditional style with a knowledgeable teacher over a lengthy
period of time builds positive qualities such as focus; strength of
character, discipline, timing, will power etc etc.
If looked upon as tools, these can help us defeat any task set upon
us by "life itself" not only that but these "tools" assist us to pick
up other art forms much quicker because we already understand an art(traditional
Karate).
I will give you my own example. In my case I chose the art of music.
I heard that some Karate masters became multi talented as time went
by an selected such art forms like music dancing; singing and painting;
to pursue. So I decided to play a musical instrument, the harmonica.
I rationalized I had a "tool" to use, this was diaphragm breathing and
breath control taught to me over the years by Goju Sanchin Kata. And
knowing the structure of teaching Karate, gave me the "tool" to learn
to play. I related the formats of each art and found them to be similar
EG.
<<Karate>>
<<Harmonica>>
warm up .............. breathing Exercises
basics ...................do.re.me.fa.so la.te.do
sandan gi ..............riffs(3basic notes strung together)
kata ..................... cover or classical songs
kumite...................jamming(playing with others)
So the more I applied my Karate tools to the Harmonica the quicker
I learnt the art form.
Enjoy your training and dont forget to apply the tools, otherwise they
lay idle.
The Japanese made art forms out of most everything from drinking tea
to swordsman ship.
Sensei Graham Ravey